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Museum of Asian Art in Radevormwald

is in planning a museum that wants to build the gallery Perter Hardt in a period of two years on its premises in Radevormwald. The approval process for the museum is still in progress.

From the press release.
"Hardt recently had applied, in a period of two years set up on his site, a museum with parking, a museum cafe and several rooms that some of the buildings did not meet the building codes, had the construction policy the city decided to authorize the museum, although some planning conditions are met. "
Here's goes to press articles.

Friends of the Asian and especially the Buddhist art, however, may be surprised! Who knows the gallery Hardt, who knows that a trip to the future Museum in Radevormwald worthwhile in any case. At the moment, we want Mr. Hardt and colleagues just that you have the stamina and strength to put their plan into action and occurring hurdles to take. An asset to the East Asian art in Germany, it is all!

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review of the international highlights of the fall auctions 2010

The Economist summarizes the peak increases in Fine Asian Arts for fall 2010 (in English). Excerpt:

- - -
The last two months have seen some astonishing bidding in auctions of Chinese treasures. Record after record has fallen away as newly wealthy collectors from mainland China have piled into sale rooms in London, New York and Hong Kong, anxious to bring home their imperial cultural patrimony.

The market for Chinese art works has strengthened considerably over the past five years, and the high prices have drawn out a number of masterpieces from old collections in Europe and America. However, there is a danger of sellers becoming over-confident, even greedy. A close examination of some of the lots that have achieved record prices since early October shows that success cannot be taken for granted. Even the best pieces sometimes fail to excite a saleroom.

A double-gourd vase with an imperial seal mark from the Qianlong period was one of the star lots of Sotheby’s sale in Hong Kong on October 7th. The vase was one of 13 pieces in the sale that had once been in the collection of J.T. Tai. Born in 1910, Tai started out as an apprentice to his uncle who had an antiques shop in Wuxi, an old city south of the Yangtse delta. After Mao closed China to foreign trade, Tai and his family moved to Hong Kong in 1949 and eventually became the greatest of the post-war generation of Chinese art dealers, selling to such great collectors as Avery Brundage and Arthur Sackler.

So a consignment from Tai’s collection was worth marketing on its own merit, and Sotheby’s duly gathered the pieces together into a catalogue of their own. The vase was not the most significant of these, but it attracted the most attention. This was in part because it had come from Fonthill House where Alfred Morrison, Britain’s richest 19th-century commoner, had built up one of the greatest English collections of Chinese treasures. His heirs sold the vase at Christie’s in 1971, but a Fonthill provenance still counts for something.

Two bidders emerged from the early throng, and Alice Cheng, a Hong Kong collector and sister of Robert Cheng, a well-known octogenarian collector and dealer, proved the winner. Mrs Cheng paid HK$253m ($32.6m) for the vase, including commission and taxes, more than five times the top estimate.

Unhappy underbidders often come back and fight to a more successful finish another day. A Chinese collector who lost out in an earlier auction is believed to be the man behind the £53.1m sale of another Qianlong vase in a provincial auction outside London just four weeks later, on November 12th.

The yellow and turquoise vase, elaborately decorated with fish and flowers, has a double-walled construction so that an inner vase can be seen through the pierced outer wall. Intricate, finely carved and richly coloured, the vase was almost certainly fired in the imperial kilns for the emperor Qianlong, and is exactly the sort of work that appeals to the Chinese new rich.

The vase had been consigned by an anonymous brother and sister who were clearing out a suburban family home. They had no idea of its worth. Dealers who saw the piece in London during Asian Art Week were impressed. But neither they, nor the auctioneer, Peter Bainbridge, could have foreseen the 18 minutes of furious bidding it would arouse on the day. An agent acting on behalf of a mainland Chinese collector bought the vase on the telephone for nearly 36 times its top estimate, making it the most expensive piece of Chinese art ever sold at auction.
- - -

HERE to original article

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What "value" has the inherent cultural heritage? - Record result for silk calligraphy from the Tang period

In which country is estimated to own written culture as high as in China?
Although or just because, are ubiquitous in China the writing and the writing is in China valued the ancient art of writing in particular:

An auction house in Beijing has a silk calligraphy with only 41 characters for 308 million yuan (46 million Franken question). She is 24.5 inches long and 13.8 centimeters wide.

This is the copy of a work of calligrapher Wang Xizhi, who lived in the year 303 to 361 and in the history of Chinese calligraphy has played a prominent role. The reproduction should come from the Tang dynasty of the year 618 to 907 and was bought by an anonymous collector be. According to the official news agency Xinhua, it is the second highest sum ever achieved at an auction of works of art in the People's Republic. The record also holds a calligraphy, which moved last year for about 437 million yuan (65 million) to the owner.

HERE here for the original article.

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Supplements for nail auction 40A, want to sell 4./5.11.2010


While this week in London took one of the spectacular sales of Chinese antiquities, was struck in the extraordinary, imperial Chinese vase from the imperial kilns Qianlong for around 43 million British pounds, the auction of Asian Art at the house of nail set a new standard in German-speaking countries.

A total issued 849 charges, the total contract sum amounts to € 10,103,415, exclusive premium. A look at the award figures not only shows that in the region of 100,000 euros significantly more items were sold, as before: At 18 surcharge for 100,000 € and above were about 5.2 Million euros. But it falls on, further, that the number of sold properties from over 10,000 € was very high this time. All 115 surcharges are in the range of 10,000 to 100,000 euros, adding up to 3.36 million euro (see chart).

All in all it was a very strong auction with many highlights. The content of emerging new trends, in particular, there was a strong market for jade and jadeite carvings from the early 20th century and from the Republican period. Demand for porcelain from the late 19th and early 20 Century also seems to grow, advance set is exquisitely crafted pieces.

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For all the paintings, photos and art: painting Ankauf.de

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unique auction of ancient art of Vietnam in Paris

The Art of Vietnam leads in most galleries a modest existence in the shadow of big brother China. Nevertheless, there is a fine, albeit a small circle of collectors, who has specialized in this field.

are now ancient artifacts from Vietnam's three German private collections in Paris under the hammer. It is a rare opportunity for collectors, because many of the exhibits we studied for years in vain for the art market.

One of the salient parts, for example, a blue-white porcelain plate with a steep wall and flared lip, as one of the secured porcelains of Vietnam in the 15th Century dated (Los Nr.181, see catalog link below). The play has been published by Ulrich Wiesner and appeared today in numerous scientific publications.

HERE to go directly to the catalog the auction on 29.11.2010 with the title: Vietnam - 3000 to the d `art.

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figure for 19.000, - € immersed for 1,800, - € limit price again!

It was a moving auction, but also a bit frustrated. In October 2008, at auction, the auction house Sigalas a small number of gilt bronze figures of a discount. Besides Buddha figures also included a somewhat unusual to kneeling figure, who was also fire-gilded.

The special feature of the auction, the limit prices. Said the figure was just about 120, - € set limit. The other Buddhas were approximately 150, - €. That each of the pieces are likely to be worth some € taussend was struck not only by us. Asian-buying was represented in the auction room, but the increases were consistently at telephone bidder who called apparently from China or from abroad.

The kneeling figure was proud of 19.000, - € slammed! (Sigalas, October 28, Lot 724). All the more surprising

course, the fact that one and the same figure in the current auction nail reappears - with a limit price of 1800, - €.

The term "rare gilt bronze of a kneeling alien" it is dated to the Kangxi period (Nagel auction 40A, Lot No. 1141). Even if the spade is in the left hand of the figure somewhat lower, it is exactly the kind of figure, which two years ago for 19,000, - was struck €.

With much excitement we expect, accordingly, the auction next Friday. what level the penalty for the kneeling figure this time will be reported at this point.

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Ceramics Japan universe - commanding collection Crueger - Museum of Asian Art Fair in Cologne

up from 5.Novemeber 2010 April 3, 2011 the Museum of Asian Art in Berlin Dahlem exhibits from the collection Crueger.

The ceramic tradition in Japan is one of the oldest and most diverse in the world. Anneliese and the couple has traveled Wulf Crueger in the past three decades into remote corner of the island kingdom, and has collected on-site representative products for the ceramic work of the presence in all its guises. Its more than 400 objects comprehensive collection followed in the best sense Humboldt's an encyclopedic approach.

How to find not only utensils for tea ceremony or ceramic art works by internationally acclaimed, contemporary studio potters, but also Examples of the production of regional workshops and the design of high-volume produced ceramics.

On the occasion of handing over the bulk of the ceramics as a gift to the museum and the publication of a catalog of the collection presents a selection of about a hundred exhibits. In three galleries they address the art of studio pottery, tea ware, and regional traditions and provide such a fascinating insight into the ceramic-cosmos Japan.

to website of the museum's HERE

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: the "Cologne Fine Art & Antiques" - 17-21. November 2010

Look forward to art full days in November 2010. For the Cologne Fine Art & Antiques is in the next round. Of 17 to 21 November 2010, the exhibition will return Rares and unusual from two millennia of art history.

Like last year, meets tradition and modernity. Only further. About 90 galleries and dealers to show European and international highlights from the various artistic fields. For the first time get next to Contemporary Designs Vintage design a platform.

Among the offerings include: Asian art, porcelain, decorative arts (glass, ceramics, silver, tin), sculptures, vintage photographs, antiquarian books and much more. is

view article in the Cologne city magazine, HERE
Website of the fair go It HERE

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The "Highlights" - International Art Fair in Munich, Cologne, a city acquires

Who in the German art market has something in it that is in these weeks to Munich trade fairs. The prelude to the great exhibition marathon made in the past week, the 55th Art exhibition in Munich Post palace. With top pieces like a Parisian Rococo lacquer secretary François Rübestück, offered by the Bamberg art dealer Ulf Härtl for 148 000 €, or incurred in 1760 table with Perlmosaikplatte from the famous Brunswick Factory of Johann Michael van Selow, which for 48,000 € in Viebahn Art Galleries from Worpswede have, but also with the Asian Art at Peter Hardt, the exhibition makes clear, that the offer of grown to 44 participating exhibitors of the highest museum quality. But such high quality and historic significance, the majority of the exhibits is - including a full-priced in at 140,000 €, small, almost 4,000 years old granite figure of an Egyptian vizier at Galerie Günter Puhze from Freiburg or the painting of "Theseus and Ariadne" by Johann Heinrich Tischbein Ä. 68,000 € Zibelius in Fine Art from Hannover - the importance of the fair in Postpalast is hardly beyond the German market.

find the original article HERE

Website of the fair is it HERE

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Lokapala figure on the occasion of the 100th anniversary of the MOK

Museum of East Asian Art in Cologne this year celebrates its 100th anniversary, the cathedral city and makes the Institute a valuable gift: the 1,000 year old Chinese marble figure of a "Lokapala. The guard king angry face, heavy armor and stately grandeur of 1.22 meters should keep at a Buddhist temple evil spirits from the shrine and flanked at the time, along with other marble guards the central cult image. The quality of the chisel technique Lokapala-figure and her realistic yet soft style can probably derived from the Chinese province of Shaanxi suspect where it originated during the Tang Dynasty in the 9th or 10th century.

could Supported by the Cultural Foundation of the countries of the Orient Foundation and the Art Foundation North Rhine-Westphalia buy the city of Cologne, the precious stone sculpture over London art trade from a Taiwanese private collection now for its museum. Thus, the guardian figure, a gap in the Germany's most important collection of early Chinese stone sculptures from the 6th to 8th century and later wooden sculptures from the 11th to the 12th century. With her detailed, accurate representation and remnants of the former painted in green, red and blue is the sculpture Lokapala a particularly well preserved masterpiece that draws the viewers in their tracks: "You can think of their presence difficult to avoid. The words of the young body practically demands on you to avoid them and mitzuvollziehen its momentum, "enthused Lothar Ledderose, director of the Institute of East Asian art history at the Ruprecht-Karls-Universität Heidelberg, in his opinion.

find the original article HERE

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guide at the Museum of Asian Art in Berlin

On Sunday, 31 October 2010, in the
East Asian art collection in the Museum Dahlem
from 15:00 clock - 16:00 clock instead of a guide.

Viewed we New images from the exhibition Zeng Wed

The participation fee is three euros. Meet at the visitor's entrance of the museum, Lansstraße 8 in Berlin Dahlem.

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prices for ancient Chinese art at record high! The market

is currently at the top of the peak surcharges on international auctions almost bizarre shapes. Museum exhibits excellent provenance reached such heights that you have basically already speak of a "bubble". The emergence of investment funds, the bid at the auctions reinforces this impression.

The following excerpts are from the report of the Trade Journal of the Asia Week in New York, were auctioned in the ancient Asian art of the houses Christie's and Sotheby's. The original article can be found here .

---
The wealth of the second-largest economy (China; Anm.dV) contributed only $ 55,500,000 at Christie's to total income of $ 70,750,000. This is the highest and second highest result for Chinese Asian-scores in New York for market leaders Christie `s. (...)

Sotheby `s filled at 14.9. Joseph Grimberg (Singapore), best known collection of 189 snuff bottles, which brought $ 4,900,000, comfortable expectation. A vial with Qianlong mark (1736-1795) sat down with a strong $ 662,500 to the top. Bonham's had closed in May in Hong Kong, a similar piece already for 1.2 million dollars. (...)

Christie's sent on 16.9. 122 successful ritual bronzes of the Shang period (c. 16th-11th century BC) and Zhou Dynasties (ca. 1045-256 BC) from the distinguished collection of Anthony Hardy into the race. (...)

John Berwald (London) the auction on behalf of a private collector, a vessel of the type Li (Shang dynasty, 12th century BC) to strong $ 2,200,000 (unpublished expectancy than 600 000).

Then he secured, which specializes in Chinese art investment fund Xiling Group, the small three-legged vessel of the type "Jiao" (Shang dynasty, late 11th century BC) to comparatively cheap $ 722,500. Just the way Xiling Fund II was launched. The first fund has already concluded that he had just five Managed a rise of 64 per cent experienced, so fund manager William Carey.

(...)
---

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obeys its own rules - Koller surprises

The auction house auctioned Koller in Zurich last Saturday a fine selection of Asian art. Besides the ancient Buddhist sculptures, among whom were many highlights, the auction had some surprisingly high increases recorded for the failed objects.

were not all high fixed objects, however, be sold. A Tibetan monk in the style of fire-gilt bronze-Lama was from the 18th to about 60,000, - € limit price such as merchandise. But powerful figures such as a Vairocana with 31cm height from the West Tibet the late 14th and 15 Century showed a premium of more than 50,000, - € (including premium) shows that careful collectors were present. At a selling price of more than 76,000 € a Vajrabhairava Yamataka was from Mongolia of the 18th century in the amount of 17.5 cm as a real highlight.

Some cover pots and vases made of silver, with applications of jade, coral, lapis lazuli and turquoise, were also sold surprisingly well. There were pieces from Mongolia, which were undated, but in the catalog, some with a provenance statement that attributed to the acquisition in the 1960s.

A real highlight however, was the sale of a bronze of Manjushri seated on a lion, dates from the Qianlong period, height 33cm. The extremely fine bronze casting was not fire-gilded, but only in the main roles, painted in the face of the Bodhisattva in gold. With a starting price of just over 7,000, - € climbed the bidding war to just 200,000 - € (!!!) premium included. Such surcharges can be seen as a rule only if the character has a particular signature or mark, which in this case was not given.

seems the face of such heights is hardly surprising that a pair of Buddhist lions, worked in cloisonné enamel, of about 11,000, - euro starting price to around 150,000 - Sale price includes Premium increase. After all, the lion's 38cm tall and dated to the 19th century As

really surprising, however, must be called a small jade pendant, which was in the China of the 18th century, dated was thus in the Qianlong period, and two-dimensional work at a height of 8.5 cm. The song climbed from 2.700, - € starting price of 67.000, - € plus Supplement premium.

addition to high-end properties that are likely to contain high surcharges, such as a Schnitzlackdeckel that the Chinese emperor was ascribed to the auction quite surprised with fancy bonuses. A lidded from Burmajade about that dated from the early 20.Jh was with more than 25,000, - € sold but surprisingly high. Just be surprising that a porcelain vase with a decorative motif "Nine Peaches", the 19th in the 20.Jh and dated for more than 24,000, - € was sold. Whether it enables us to see the trend that now, increasingly, younger pieces are selling well, remains to be discussed.

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ancient Asian art at its best this week!

collectibles of the highest quality can be run on September 15 in New York on the table of the auctioneer. Sotheby's can not offer only excellent specimens of the large Chinese porcelain styles, but particularly impressed with Jade from the Imperial Manufactory of Chinese court.
HERE you go the online catalog

Less spectacular, but affordable for the framework proposes the auction hammer in Zurich shortly. Koller auction on September 18 Asiatica - a motley catalog with numerous Hightlights and the traditionally strong field of Buddhist figurative art.
HERE View this online catalog.

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Structural transformations - the role of new media in trade with Asian art

New technologies, new media like the Internet - but also global economic developments are changing the art market worldwide. This is felt in all areas: the auction houses, upscale art galleries, art fairs, and even the individual collectors and others interested in used today more and more digital Media in dealing with art.
For next year, for example, is an art exhibition planned for the first time should only take place on the web. There is already a pure on-line auctions also renowned worldwide and not least the set top galleries in the area of Asian art in high-quality digital catalogs in PDF format to attract the attention of your customers. That alone
saw a decade ago is very different. The area of the ancient Asian art is a relatively small side-show in the entire art world however, its changes to meet here in the same way and there may even be that by the special role of China in the internationalization of this market segment progressed very far.

represents the light of these developments, the question of what to expect for the future: What is the trade with ancient Asian art in ten years?
What changes can we expect?

to answer these questions, it is important to consider the structure of the market for antique Asian art to some basics. Although this is far too extensive for this post, but I would like to highlight some aspects:

The fact that we in the developed countries, in Germany, Europe and the U.S. at all in such extensive collections of Asian art in our museums and in private possession have dates back to the history of the late 19.Jhdts. For the Asian art is today still believe that we benefit in the "West" of the historical events run from a time when countless objects from Asian countries were not among them high-quality cultural goods, archaeological finds objects whose cultural value to quantify is.
in straight case of China, which is particularly clear. The local auction houses and other market participants will benefit more than twice: first in this country exists because of historical conditions, still high-quality antique art objects from China. And the other Chinese collectors pay high prices received under the offer rapid economic development of China.
has of course the Chinese economic growth brought about not only financially strong Chinese collectors, but also created an entire market for ancient Chinese art. The auction houses, the young in China. Name as Hanhai, Guardian, Poly Auction, and the like, there were twenty years yet - although they now write ions million sales.

In the 90 years used auction houses, which were among the largest in the industry, catalogs, in which not even all of the objects were shown, and Hungary has not completely in color. That may be one or the other house now but still so hold, but in most cases have yet been significant developments.
you can see today the complete catalog on the web. Highlights of the auction videos are published, and they can research about the objects around the world, if you want to make the effort. Some of the big houses such as open-access archives where you can search for comparable properties. Free on the Internet.

And that's just the actual situation - and no vision for the future.

Summing up the above points, so the historical conditions, the internationalization, economic development and technological and media development, then you have to say: These conditions are an enormous market drivers!
But these above points suggest that the market for antique Asian art continues to grow - regardless of trends and preferences of the collectors.

Where does this development? What can we expect in the future?

I called in some specifications about the core issues that affect my opinion, the art market in Asian art at the most. It is clear to see that today creates a completely new situation. The new technologies raise the market participants, who used to regionally oriented, international now in an environment. The use of the Internet leads to another, easier networking and also to more transparency in the arts.

is therefore expected that there will be more and more innovative players in the field of art, which open with the help of the existing and ever more advanced technologies, new possibilities in the art trade.
Asian-purchase is an example of such market participants. Here, anyone with an ancient object in the Chinese or Asian art in general, given the opportunity to evaluate this object or collection within a network or across to explore various options for the best possible sale.
I am convinced that within the foreseeable future, further and new participants are aufreteten that connect the art trade and the Internet.